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Whatever became of

I’m always interested in paper ephemera and the record sleeves for my 78rpm discs are fascinating little pieces of social history and design. So, while listening to some of my records today, I wondered what became of those shops who once supplied Edinburgh’s listeners with gramophones, records and music?


There was Methven Simpson Ltd – Piano and Musicsellers to H.M. The King, whose main branch was at 83 Princes Street. I’m guessing that the King was George V. They were obviously a prosperous company, with branches in Dundee, Forfar, Perth and St Andrews. They stocked pianos, player pianos, gramophones, sheet music and music rolls, also offering a tuning and repair service. I like the art deco border and those stylish numerals 83. Number 83, near Hanover Street, was once part of the Life Association of Scotland building. It now houses offices and Superdrug.

Only a street away at 28 Frederick Street was Pentland’s. The advertising here is less grand than Methven Simpson. Under the ‘Pianos and Player-Pianos’ is CASH or CONVENIENT TERMS. People who bought from Methven Simpson could probably afford to buy their piano outright, but Pentland’s was aiming more at the middle classes who had recently discovered Hire Purchase. And now? 28 Frederick Street has yet more offices and a branch of Thomas Cook.

Moving up Lothian Road, there was James Beaton’s The Gramophone House at Number 96. This building once housed opticians G Prescott & Co & a branch of Black & Lizars is still there. Beaton’s takes the prize for fanciful sleeve design, with smiling lambs at the foot of a classical column upon which sits a Pan-like figure playing two pipes. In the distance, a strange couple dance to the music, he wearing Cossack costume and she with a gay straw hat.


A little further away from the centre of town was Kilgours at 66 Nicolson Street, boasting that they were agents for Columbia and His Master’s Voice for over a quarter of a century. Just a few doors away used to be La Scala Electric Theatre which opened in 1912. The cinema changed its name to the Classic in 1974 and has subsequently been converted for use as a bingo hall. Now Nicolson Street is one of the main places on the Southside for restaurants and cafes.

Charles M. Brown were Electrical, Wireless and Gramophone Suppliers, situated at 1 & 2 Melville Terrace on the edge of The Meadows. Or as the sleeve helpfully says Opposite Dick Veterinary College. The Dick Vet has since moved to modern accommodation on the outskirts of Edinburgh and there’s a Thresher’s off licence at No 1 Melville Terrace. The typography on this sleeve has pronounced serifs rather reminscent of Kelmscott and there’s a marvellous ampersand with swash.



Read full story · Comments { 0 } December 23, 2011 Music

Wild Man Blues

I have a passion for old shellac 78rpm records which I play on my cherry red HMV 101 wind-up gramophone.

My tastes run from 1920s dancebands through classic French chanteuses et chanteurs to early tango orchestras. The collection is modest by most collectors’ standards (about 120) and is governed purely by the amount of space I have to store the records – 78s are heavy and bulky. Creating a personal collection isn’t a costly affair: I have only one or two rarities and don’t care if a particular record was so popular in 1925 they pressed hundreds of thousands of them. I buy my records, usually costing £1 or £2, from my old friends at The Gramophone Emporium in Edinburgh.

Perhaps surprisingly, I have only a few classical 78s and these are of iconic opera singers of the time. No sopranos though – the recording process wasn’t kind to the soprano sound. But tenors, including of course Caruso, the first real recording star, are a different matter. Singing directly into a huge recording horn with the orchestra placed around and behind the singer, the tenor voice rang out clear and true.

The appeal of 78s is mysterious, but their appeal for me is largely the immediacy of the sound. It’s like sitting in the front row of the stalls as Caruso gives it his all, or leaning on the bar while Fats Waller tinkles the juke joint ivories.

The first taster of my 78s collection is a number by the inimitable Satchmo. As he continued to record right up to his death in the 1970s, most people are familiar with the name of Louis Armstrong, but this earlier recording is Armstrong at his raw best.

❦ To listen, click the audio player below ❦

Label details:
Wild Man Blues
(Armstrong-Morton)
LOUIS ARMSTRONG
Trumpet Solo, acc. by His Original Washboard Beaters
Parlophone
R 2162

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Read full story · Comments { 0 } December 23, 2011 Music

Vintage Jazz

In 1924, Eubie Blake and Noble Sissle wrote a stage show named ‘The Chocolate Dandies’. The show was unfortunately ultimately a flop because it failed to fit the stereotypical ‘fast dancing and negroid humor’. The name, however, lived on and was used by a number of different jazz ensembles from the late 1920s to 1940.




Don Redman, one of the first great jazz arrangers, was also a reed player and vocalist, appearing with the Fletcher Henderson Orchestra until 1927, when he moved onto McKinney’s Cotton Pickers as well as working with Louis Armstrong and his Savoy Ballroom Five. In 1928, Redman brought together a small group of players to record with Okeh under the name The Chocolate Dandies. My 78 record is a pressing by Parlophone Records, headed at that time by Oscar Preuss.




Parlophone established a master leasing arrangement with Okeh and issued the Rhythm Style Series which included the two fabulous 78rpm numbers included here. Cherry was written by Don Redmond himself and the vocals may be by him. Four or Five Times, written by Hellman & Gay, have what sounds like a quartet of voices including interjections in a woman’s voice. Note that on one side, the billing is The Big Chocolate Dandies and the other side The Little Chocolate Dandies!

In 1950, Oscar Preuss of Parlophone Records hired a young man named George Martin and five years later, Martin succeeded Preuss. The rest, as they say, is recording history.


❦ To listen, click the audio players below ❦

Label details:
Cherry
(Redmond)
THE BIG CHOCOLATE DANDIES
With Vocal Refrain
Parlophone
R365

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&

Four Or Five Times
(Hellman/Gay)
THE LITTLE CHOCOLATE DANDIES
With Vocal Refrain
Parlophone
R365

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Read full story · Comments { 0 } December 22, 2011 Music